Jenny Nordmark's solo exhibition Massrörelser, at Haninge Konsthall, consists of multiple parts involving local high school students: "It was not supposed to be a student exhibition. I was responsible for the entire artistic output, but at the same time I wanted to include their presence, experiences and differences," Jenny says of working with the 49 students involved in the exhibition process.

​"I need paint to be something you hold, that you can sink your fist into—like flesh, like earth, a living thing. The process of adding and subtracting, of having something appear and reworking it again and again," shares painter Danny Anostia Avidan with a Milan-based curator who has long admired his work and explores it in a conversation between the two.​​

​"As for the dancers, there are no weak links. The solos are mesmerizing, and the ensemble scenes only get better over the running time. I spot superstars in the midst, but everyone makes their presence known and seen. The dancers move like I imagine young people do today—or wish they did. It’s a whole vibe, and I could have stayed immersed in it far longer than the 45 minutes," notes Koshik Zaman in a review of Malik Nashad Sharpe’s collaboration with Norrdans.