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Logic of happenstance and now

May 22, 2026

“It’s been over fifteen years of seeing the spring degree exhibitions of Kungliga konsthögskolan. A constructed adjective that sometimes has been used to address it is “Palais de Tokyo”. Hyperbolic as it is, and it really is, it means the shows have often shown art that suggests a belonging in curated institutional and museum contexts far away from art school premises,” notes Ashik Zaman in a review about the school’s MFA spring exhibition.

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The Graduates of 2026

May 15, 2026

Grad show season: Since 2013 (13 years and counting!), C-print has turned unprecedented focus on artists emerging out of art schools. It's grad show season, so coverage is due. When team C-print swings by, you will know. We checked in with a number of spring graduates from Swedish art schools. Keep an eye out for them and many of their peers.

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Detail and difference at STHLM DANS

May 14, 2026

“Are STHLM DANS and other festivals restoring live performance to its optimal scope? Do international gatherings of dance artists still need to involve large ensembles on huge stages? Has the advent of high-definition video fundamentally changed the logic of dance presentation?” asks Zachary Whittenburg in a roundup of this year’s fifth and anniversary edition of STHLM Dans.

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NYC Calling: BamBam Frost​

May 10, 2026

“New York is my city. I came here when I was 19, lived in Theresa Traore Dahlberg and Mapei’s old apartment, and ran around town dancing, partying, and growing into the person I am today. I have returned to NYC regularly, surfing through different contexts,” shares artist, choreographer and team favourite BamBam Frost in a visual diary from a recent stint in NYC

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Inner Room Sealant Touch​​​

May 1, 2026

“In this work, the sculptures got their shape from the contour of the mainspring of a clockwork. It is a small spiral of spring steel that can be wound up to create tension and that drives the inner mechanism of a clock,” says Liva Isakson Lundin, as we catch up with her about her recent exhibition at the Royal Academy of Arts, leading up to her next solo opening in May at Wetterling Gallery.​

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Alexander Ekman: Hammer

​April 29, 2026

“Ekman is a choreographer who absorbs and leverages what his lauded peers do best, without it seeming like plagiarism. He is immensely skilled at making non-narrative performance that feels just as full of the sweep of life as an epic film or a classic play. He does this in part through his canny understanding of how to mix pre-existing stage languages into his own bespoke blend,” finds Zachary Whittenburg in his review of Hammer.

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