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Lilian and the Siren

July 9, 2024

Lilian Steiner recently relocated to Stockholm to join Cullberg as a dancer. For the recent edition of STHLM Dans, she preesnted her impressive piece Siren Dance. "With Siren Dance, I’ve attempted to interrogate the audience-performer relationship, playing with who sits in the position of ‘victim’, at which moments and in what way.", she shares.

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Up-close: Anna Efraimsson, Theatre Director

June 24, 2024

We pick Anna Efraimsson's brains about recent cuts in funding, branching out and running Moderna Dansteatern (MDT); one of the leading venues for contemporary choreography and performance in the Nordic region. "Yes, the past three rounds of project grants result from the Public Arts Council have been paralyzing", she tells us.

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The World Is A Knot in Motion

June 2, 2024

We headed out to Oslo to review this year's MFA degree show of crafts-based art and public space art practices at KHIO, curated by Håkon Lillegraven. Ashik Zaman finds an exhibition that is elegant and easy on the eye, through and through, and holds what he finds among the most beautiful art projects seen so far this year.

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Polys Peslikas: Young Predictions

May 26, 2024

Cypriot-born Polys Peslikas' solo exhibition Young Predictions at Mint might not make the most and loudest buzz, but should definitely not be missed. Our editor Koshik Zaman saw the exhibition a while ago and was thrown back in time to the pre-Internet days of cutting out titilating images and hiding them inside books.

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May 11, 2024

Trinidad Carrillo, since years has been one of the true gems in Swedish lens-based art, and was one of the 13 artists in our very first curated group exhibition almost 10 years ago. May saw the opening of the three-person exhibition Himlakroppar at Konstnärshuset, with the subsequent release of her new book Oneiromance at said venue.

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Everything, and Nothing but Sunscreen​

May 7, 2024

"While Lee to some extent evades binaries of ’masculine’ and ’feminine’ in abstraction; supple figures and tender gestures acted out by an arm or the soft gaze on a face that begin dawning before the eyes are what disintegrates the work from more masculine undertones/overtones of abstraction.",writes Ashik Zaman about the work of painter Kyungseo Lee.

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