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Louis Schou-Hansen: Tragedy

October 12, 2024

"Tragedy I sense is about images; how we're molded by images and tropes, how we perform these images, cut and copy them into new images and reproductions. As such, Tragedy I believe is not interested in setting a new bar for originality or being praised for its inventiveness.", writes Ashik Zaman about Louis Schou-Hansen's premiere of Tragedy at PODIUM.

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Visions of Katarina amid Jansson and Munch​

October 6, 2024

"Katarina Löfström’s exhibition manages to enhance and shape the gaze on the permanent collection for me, and it’s not just an abstract thought or concept; but a reality." We might sing our praises about Katarina Löfström's collection-bending exhibition Visioner at Thielska Galleriet as being among the best this year, but in this review no on gets off the hook; neither artist nor museum.

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Marco da Silva Ferreira: Bisonte

October 3, 2024

There is a great element of "fraudulence” cemented in Marco da Silva Ferreira's Bisonte; of deliberately and transiently giving off air of being something much more formulaic than it factually is, only to cunningly "Pied-Pier-of-Hamelin" you into full realization of how great and epic it is, running the full course past the finishing line, until there’s nothing left not to equate as epic.

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Alexandra Bachzetsis: Exposure

September 24, 2024

"This is not a piece that is contained in a time where an 'animated portrait' of thirsty Richard Kern eyes would not have been scrutinized, or a fashion ad not blasted for aestheticizing sexual violence, but it seemingly relates back to the Ad Reinhardt stance of making art; 'Art Is Art and Everything Else Is Everything Else', finds Ashik Zaman in Alexandra Bachzetsis' anticipated premiere with Cullberg.

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September 23, 2024

”These last three shows that I have done have represented a kind of thematic trilogy. Some Robot Is Coming for Your Shit at Galleri Hedenius is about artificial intelligence.”, says artist Markus Mårtenson about his new exhibition. Mårtenson notably is that one artist in Sweden whose ear to the ground never fails to properly capture the zeitgiest per humour.

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MDT: DEVOTED​​

September 21, 2024

"A 50 minutes’ jamming session has never gone by so fast with such instant and consistent response from your attention system. Exciting, ethereal sounds come at you as an onslaught; while the choreographic movements are in minor key but in total causal effect to the music.", shares Ashik Zaman about Lisa Janbell & Dijle Neva Yigitbas’ DEVOTED - Frequencies through sound and movements at MDT.

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